Miquel Barceló
Palma de Majorca Cathedral

Jean Michel Othoniel ((finalist)
Saint Martin’s Church, Harfleur

Pascal Convert (work in progress)
Saint-Gildas-des-Bois Basilica

Pierre Soulages
Conques Basilica, Aveyron

Martial Raysse
Notre-Dame de l'Arche d'Alliance, Paris

Jean-Dominique Fleury
Recent Creations

Damien Cabanes
General High School, Tournefeuille

Jean-Pierre Pincemin
Sylvanès Abbey, Aveyron

Marc Couturier
St Leger Church, Oisilly
Car Park, Troyes (finalist)
Daniel Coulet
Notre-Dame d’Aubin

 

 

 

THE TECHNIQUE /
In theory and in practice, the techniques involved in producing pieces of structural stained glass require much research. The glass is adapted to fit the dimensions of the work and the desires of the artist whilst bearing in mind physical constraints and aesthetic implications. The procedures employed at the Church of Notre Dame de l’Arche d'Alliance were for the most part borrowed from graphic design methods. The initial drawings were enlarged and then pixelated with the aid of a computer. From this, stencils were created and placed on the glass before acid was used to attack the surface.

In this way, only the desired colours remained on the surface. In order to successfully complete such a project, experience, patience and unerring skills are absolutely necessary. Two years work were needed from the moment of conception to the installation of the stained glass windows in order to achieve a result which has been much celebrated by numerous specialists.